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Once upon a time, my exploration of emotional language began at the Metropolitan Opera, age 10.

There, I performed on stage with Pavarotti, Domingo, Upshaw, eventually learning bel canto from the coach of Sutherland - and the relationship between emotional communication and spatial design.

There, I performed on stage with Pavarotti, Domingo, Upshaw, eventually learning bel canto from the coach of Sutherland - and the relationship between emotional communication and spatial design.

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At the Royal Academy of Belgium, I CONTINUED TO explore behavioral design and EMOTIONAL SPACE.